Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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VOUET, Simon
Parnassus or Apollo and the Muses (detail)

ID: 29650

VOUET, Simon Parnassus or Apollo and the Muses (detail)
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VOUET, Simon Parnassus or Apollo and the Muses (detail)


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VOUET, Simon

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting   Related Paintings of VOUET, Simon :. | Madonna of the Basket | Annunciation | Parnassus or Apollo and the Muses (detail) | Allegory of Wealth et | Annunciation |
Related Artists:
MASTER of the Duke of Bedford
French Early Renaissance Miniaturist, active 1405-1435
Bazille, Frdric
Studied under Charles Gleyre. French Impressionist Painter, 1841-1870
Paul Raud
(22 October 1865 in Kirikukela, Viru-Jaagupi Parish C 22 November 1930 in Tallinn) was an Estonian painter. The twin brother of painter Kristjan Raud, he studied in Desseldorf beginning in 1886, becoming influenced by the work of Eduard Gebhardt. After his return to Estonia, he painted mainly portrait commissions for some time, before traveling with his brother and Amandus Adamson to the islands of Muhu and Pakri in 1896. His works of this period are reminiscent of those of Max Liebermann. In 1899 he returned to work in Germany, taking on some of the stylistic trappings of Impressionism; this, coupled with time spent working with Ilya Repin, influenced his later style. Later in his career, most especially during and after World War I, he began to teach, from 1915 working as a drawing instructor at the Tallinn Institute of Commerce and from 1923 at the State School of Industrial Art in Tallinn.






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